About
I am an audio engineer, composer, sound designer, studio owner, producer and multi-instrumentalist currently based in Sydney, Australia.
I offer services covering all elements of audio production including recording, audio editing, mixing, mastering and composition.
Engaged in composition and production from an early age, I predominantly utilise a combination of electronic and acoustic elements, live instrumentation, field recordings, sourced audio material and improvisation into my practice to create melodic textural journeys.
The Confectionery
I work primarily out of my studio in the heart of Newtown just off King Street.
After years of working in various studios across Sydney, London, and Melbourne, I was determined to create a space that provides affordable facilities for artists, musicians, and performers.
In 2024, that vision came to life when I established The Confectionery in Newtown.
The Confectionery is a two-storey multidisciplinary recording and rehearsal space offering all audio services.
The fully-equipped studio has been purposefully constructed to record 3 rooms in total isolation simultaneously running Dante’s audio over ethernet protocol.
The live recording space upstairs, is ideal for vocal or VO recording and top of the range microphones.
My services include:
Recording
Mixing
Mastering
Composition
Production Assistance
VO Recording
Source Connect
Sound Design
Audio Editing
advertising audio post, SOUND DESIGN & composition
COLLABORATIONS
POST 2024
Circuits
the bay
Ambient/Jazz/Electronica
Sam: I have this mate who insists that if he makes it to the age of 85, he will pick up a heroin habit because there would no longer be any point in denying himself the pleasure of dying in such a glorious fashion. The veracity of my friend’s logic aside, I can’t help but feel like what he is envisioning is a sensation quite similar to the sound of “check-in”, a highlight from Charles Tait and Leo Barry’s recent collaborative record as Circuits, The Bay. Here is dub techno at its most sumptuous and illusory: a massive, plodding groove set to the dangerously low tempo of an opiated breath while a piano traces twinkling, minor-key melodies through swirls of synth above. It is indisputably beautiful and dramatic music but, I would argue, more interesting for what it obscures than what it makes apparent. As “check-in” unfurls, its immediate beauty gradually morphs into something more disorienting and dissociative and the song begins to approximate the feeling of being suffocated by pleasure. The great conceit of Circuits, one of the more exciting projects to come out of the Eora underground in 2025, is how they manage incarnate dub and jazz—fundamentally human genres of music—into the non-earthly realm. And for it we are rewarded most handsomely with “check-in”, the ideal soundtrack to a gentle, substance-assisted shuffle off this mortal coil.
For more phenomenal writing from Sam and his collaborators on music from Australia to the world, check out https://redshiftblog.com and @redshiftblog on Instagram.
Credits:
Leo Barry: piano & synth
Yasmina Sadiki: vocals
Finn Koslowski: saxophone
Marley Joubert: trumpet
Charles Tait: drums, guitar, bass, additional synth, production, engineer, mix and master
CHRIS CODY CHARLIE TAIT
UNDER OCEAN
Experimental/Ambient/Noise/Jazz
This exciting new project uses solo piano, sound effects, electronics and other instruments to create large soundscapes. Coming from different backgrounds, cultures and generations, Cody and Tait seek through dialogue and practice-based experimentation to create and perform new music that combines jazz and classical with contemporary electronic music. Together, they create new emotionally charged sonic landscapes that are both lyrical and expansive, evoking a range of emotions and imagined places and moods.
Chris Cody is an internationally renowned jazz pianist, composer and producer. He has worked with many outstanding international musicians around the world and released over 14 albums of his music. Charlie Tait has achieved international acclaim with his solo project Cambio Sun. Currently, Charlie works as a producer and engineer, at his purpose-built studio, The Confectionery, in Newtown.
Credits:
Chris Cody: piano
Charles Tait: production, drums, guitar, bass, additional synth, engineer, mix and master
MAIA JELAVIC
Backburner
Indie Folk Rock
Maia Jelavic’s debut album, Back Burner, emerged from an unexpected burst of creative chemistry. Recorded over three days at Powell Lane Studios by the beach in Coogee, Sydney Australia, and co-produced with engineer Charlie Tait, the record was built instinctively, with Jelavic and Tait playing all instruments between them. What began as a spontaneous recording session quickly unfolded into a complete album, shaped by trust, momentum, and shared musical intuition.
Credits:
Maia Jelvaic: vocals, guitar, piano, bass
Jordan Wilson: backing vocals
Charles Tait: backing vocals, guitar, piano, organ, bass, drums, percussion, engineer and mix
BODY MAGNET
BWBWBlockades
Electronic/Punk/Noise/Hardcore
Body Magnet are a two piece experimental noise group consisting of Joe Goddard and Vinnie O’Malley.
The two create intense, powerful and immediate noise punk that seems relevant for the current chaos of our times with subtle nods to prior grunge and experimental noise artists locally and internationally.
BWBWBlockades is a double single with an album set to be released in 2026.
Credits:
Joe Godard: vocals, production
Vinne O’Malley: drums
Charles Tait: mix and master
THE WHIPLASH EXPERIMENT
PIROUETTE
Instrumental Post-Rock
The Whiplash Experiment fronted and directed by guitarist Jeremy Nicholas was an experimentation in “open music”. With Jeremy’s open tuning, saharan blues style guitar playing leading the way, The Whiplash Experiment’s Pirouette EP is instrumental post-rock inspired by the likes of Swans, Godspeed You Black Emperor and Sunn O.
Credits:
Jeremy Nicholas: high tension guitar
Bailey Dunn: second guitar
Mikel Salvador: bass
Leo Barry: keyboard, organ, piano
Charles Tait: drums, percussion, engineer, mix and master
PASTE
paste
Post-Punk
Paste are a four-piece made up of Maia, Vin, Archie, and Dan. Drawing on influences like CCFX, Dust, and Endless/Crazy Mike, they deliver a sharp, guitar-driven take on post-punk - punchy vocals on the edge of rap, cut with synths and jagged, precise drumming.
Archie, Vin, and Maia had been honing lyrics rooted in their own experiences of modern life, while the songs themselves had been shaped over time into something distinctive and unique.
Credits:
Maia Toakley: vocals
Archie Tait: bass, vocals
Vin Hrdina: vocals, drums
Charles Tait: guitar, additional production, engineer, mix and master
MAIA toakley
BEFORE I LET GO
Pop Rock
After a massive 2024, gaining love from triple j for singles “Pessimist Babe” and “House of Cards,” as well as making the Top 100 shortlist for Vanda & Young 2025 global songwriting competition (winner yet to be announced), BEFORE I LET GO positions Maia Toakley as one of Australia’s most groundbreaking songwriters.
Recorded and engineered by Charles Tait at the recently built Newtown studio, The Confectionary, BEFORE I LET GO features a collection of blissful, folk-pop songs that highlight themes of fear and power under an outpouring of raw emotion and self reflection.
Credits:
Maia Toakley: vocals, guitar, piano
Ned Olive: bass
Jamine Tann: drums
Isaac Freeman: lead guitar
Charles Tait: additional guitar, production, engineer and mix
POLISH CLUB
POUND CAKE
Garage Rock/Punk
Sydney rock stalwart’s Polish Club recorded their album Pound Cake in the space of roughly 2 days.. It is a nine-song, 18-minute garage rock record recorded at The Confectionery in Sydney.
Intended to satirise the current state of the Australian music industry - David Novak and John-Henry Pajak revert back to their original garage roots.
Credits:
David Novak: vocals, guitar
John-Henry Pajak: drums, percussion
Wade Keigran: bass, production and mix
Charles Tait: percussion, assistant
LANNIGAn
POCKET OF DREAMS
Alternative Rock/Pop
Pocket Of Dreams is a 5 track EP released by Sydney-based indie-rock band Lannigan, led by songwriter Ben Roach and co-writer Luke Payne. Known for its driving basslines and energetic sound, the EP features tracks like "Living On The Floor" and "Heart Attack," supported by a live lineup including Charlie Tait, Joe Goddard, and Harrison Stewart-Weeks.
Credits:
Benjamin Roach: lead vocals
Luke Payne: rhythm guitar
Joe Goddard: lead guitar
Harrison Stewart-Weeks: drums, percussion
Charles Tait: bass, backing vocals additional guitar, production, piano and mix
DARLING HEARTS
JERK FACE
Folk Rock/Country
The Darling Hearts are a meeting of two musicians from the creative hub of the inner west of Sydney, with a track record: Maia Jelavic (Maia Marsh, Motion Sickness, Good Side) and Jordan Wilson (Georgia Fair). They have combined their significant expertise in this new project to great effect.
‘Jerk Face’ has a jingle jangle sparkle with a cinematic breadth that is more expansive than the blue skies over Australia, and with a shimmering antipodean flavour. There is undeniably a thread of alt country twang in the delivery but the scope of the track is much wider with its inherent pop sensibilities and indie insouciance. Crystalline guitars underpin the vocals with the gorgeous layered harmonies and melodies.
Credits:
Jordan Wilson: vocals, guitar
Maia Jelavic: vocals, guitar
Tom Hume: drums, vocals
Georgia Mulligan: bass, vocals
Charles Tait: engineer, mix and master
HAROLD & THE BISHOPS
DOG
Punk
Harold & the Bishops, are a spirited four-piece band hailing from Sydney's Inner West. Known for their dynamic blend of psychedelic tones and high energy punk beats, the band has captivated audiences across Sydney’s vibrant live music scene since their formation in 2017. “DOG” is a four-track EP written from a dog's perspective, exploring the human-animal power dynamic with high-energy, fast-paced, and explicit, raw punk energy.
Credits:
Cameron Gillett: vocals, guitar
Riley Holt: guitar
George Denton: bass
Jeremy Bryant: drums
Charles Tait: production, engineer, mix and master
BILLY MAY
…TO FRIENDSHIP
Folk Rock/Singer-Songwriter
Local Sydney singer-songwriter Isaac Freeman writes introspective, heart warming folk rock. Billy May’s EP ..To Friendship explores the complexities of navigating intimate relationships and the difficulties of letting go.
Having played in the local Sydney scene for years in a variety of projects, Billy May has generated significant interest amongst the local musicians.
Credits:
Isaac Freeman: vocals, guitar
Ebony Tait: backing vocals, piano
Ned Olive: bass
Jasmin Tann: drums
Charles Tait: engineer and mix
CAMBIO SUN
My music career started when I released a song called ‘Intuition’ under my solo project, Cambio Sun, during high school. The track gained traction on Soundcloud and caught the attention of both independent and major label managers here and overseas.
Six months later I released my debut EP ‘Retisent’ with the lead single Mad As They Come gaining over 2.2 million streams on Spotify. Retisent was supported by various radio stations worldwide including local legends FBI and Triple J. Following the success of Retisent, I moved to London and released my second record Animal Sense under the management guidance of former Sony CEO Nick Gatfield. My band and I toured extensively throughout the UK and Europe performing at festivals and playing numerous headline shows across the country.
After two years of touring, recording and learning the inner workings of the music industry, I returned to Sydney to collaborate and work on new material as well as continue the solo project in the coming years.
RETISENT
Retisent was my initial foray into the Cambio Sun project with the release of my first single 'Intuition' in 2014. Inspired by the reception of 'Intuition' I produced a 6 track EP in the final year of high school drawing from my influences at the time such as Four Tet, Shlomo, Burial and Bon Iver.
animal sense
My sophomore self release Animal Sense is a 7 track album released in 2016 heavily influenced by my relocation to London at the age of 19. Composing and creating a long-form body of work, much like a film score, is the mechanics at play behind Animal Sense.
still here
Recorded in Sydney 2018 after my return to Australia from the UK, Still Here demonstrates my abilities as a songwriter touching on a range of influences from post rock to illbient.
Besides some guest appearances from friends and fellow Sydney musicians, I stuck to the original Cambio Sun ethos playing all the instruments on the 5 track EP.
IN VITRo
My latest release under the Cambio Sun moniker was recorded during the depths of Melbourne's initial lockdown in 2020.
Fusing organic otherworldly ambient soundscapes with hard hitting classic breaks and bass-heavy mutant percussion, this new direction was as much inspired by the seminal drum and bass productions of LTJ Bukem, Seba, Photek and Source Direct as by the modern releases of Illian Tape, R&S, Livity Sound and Brainfeeder.